At age 9, she was writing poetry. By 17, she was a single mother. In her early 20s, she danced at a strip joint, ran a brothel, was married, and then divorced. But by her mid-20s, she was performing at the Purple Onion in San Francisco, where she shared billing with another future star, Phyllis Diller. She also spent a few days with Billie Holiday, who was kind enough to sing a lullaby to Angelou's son, Guy, surly enough to heckle her off the stage and astute enough to tell her: "You're going to be famous. But it won't be for singing."
After renaming herself Maya Angelou for the stage ("Maya" was a childhood nickname, "Angelou" a variation of her husband's name), she toured in "Porgy and Bess" and Jean Genet's "The Blacks" and danced with Alvin Ailey. She worked as a coordinator for the Southern Christian Leadership Conference, and lived for years in Egypt and Ghana, where she met Nelson Mandela, a longtime friend; and Malcolm X, to whom she remained close until his assassination, in 1965. Three years later, she was helping King organize the Poor People's March in Memphis, Tenn., where the civil rights leader was slain on Angelou's 40th birthday.
"Every year, on that day, Coretta and I would send each other flowers," Angelou said of King's widow, Coretta Scott King, who died in 2006.
Angelou was little known outside the theatrical community until "I Know Why the Caged Bird Sings," which might not have happened if James Baldwin hadn't persuaded Angelou, still grieving over King's death, to attend a party at Jules Feiffer's house. Feiffer was so taken by Angelou that he mentioned her to Random House editor Bob Loomis, who persuaded her to write a book by daring her into it, saying that it was "nearly impossible to write autobiography as literature."